No. “The Importance of Feeling Special” appeared on the *82, issue 4.3 earlier this month. One of my favorites from the prose poem series, so it is gratifying to see it out there. Star 82, or as above *82, edited by Alisa Golden, is available online and in a print edition. The website is clean and attractive. Altogether satisfying.
Contributors can purchase a print version of the issue at a reduced rate. Of course, I missed the window of opportunity in which to exercise this option, so needed to order it from Amazon like a non-special person. No problem. I’m interested in these proliferating models of publication. *82 is published by Create Space, an on-demand publishing platform affiliated with Amazon. From the looks of the online version, the publication contains quite a bit of visual art, so I look forward to seeing the print version.
Weirdly enough, the graphics on the site are similar to the Hopkins cover on the August 28 blog. Which emboldens me to ask the question posed in this last set of blogs: Is this a Catholic poem, despite its wacky persona and lack of theological references? Well, it was written by a cradle Catholic, one who was educated in Catholic schools at a time when the nuts and bolts of the faith were minutely examined, in a way that I doubt happens much today. If the truth be told, I’d have to have a lobotomy to excise my Catholicness. Am I then writing ipso facto Catholic poems? By Dana Goia’s definition, in The Catholic Writer Today (see August 15 blog), I am. One of his starting points: “Surprisingly little Catholic imaginative literature is explicitly religious… What makes the writing Catholic is that the treatment of these subjects is permeated with a particular worldview.”
Shouldn’t any classically trained Catholic, worth his or her salt, be able to identify Catholic themes in almost any piece of literature? Because aren’t these universal human struggles? So, for an easy bit of cherry-theme-picking, I see in “The Importance of Feeling Special” the longing for intimacy and validation (Isaiah’s God who calls us by name) and those analogically rain-challenged sacramental azaleas. And as women’s humor, however formulated, must be based on inner confidence, rather than self-deprecation, so Catholic writing is challenged to walk a similarly thin line between fullness and lack.